Teaching staff
The third year of training opens the door to professionalization with:
- finalization of the learning process (maximum independence in performance, manipulation, construction)
- The creation of small autonomous and individual forms (solos: each student’s calling card).
- The creation of a year-end show in conditions as close as possible to those of a real creation, under the direction of a recognized director. (post-diploma tour of the performance)
- Highlighting professional reality through training in administration, management and specific networking.
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Laurence Ackermann
UE 32 - Building one’s professional career (semester 5)Module B : Solo dossier
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Martial Anton
UE 33 - Original creations (semester 6)Module A : End of studies performances
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Odile Bonis
UE - 29 Expanding disciplinary horizons (semester 5)Module B : Image and sound editing –film animation
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Philippe Bossard
UE 34 - The puppeteer’s Instrumentarium (semester 6)
Module A : VentriloquismUE 36 - Theoretical Contributions, History and aesthetics of the arts, performance art forms analysis (semester 6)
Module A : History of the arts applied to puppetry -
Nadine Buss
UE 25 - Original Creation projects (semester 5)Module B - Animated film (animation construction)
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Daniel Calvo Funes
UE 33 - Original creations (semester 6)Module A : End of studies performances
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Doreen Chanonier
UE 31 and UE 39 - Modern Languages (semesters 5 and 6)Module A - English
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Michael Corbidge
UE 37 - Expanding disciplinary horizons (semester 6)Module A - Voicing Shakespeare, from page to stage
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Christina Batman
UE 37 - Ouverture disciplinaire (semestre 6)Module A - Voicing Shakespeare, from page to stage
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Brice Coupey
Academic DirectorOverall project monitoring
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Jean-Luc Delaby
UE 29 - Expanding disciplinary horizons (semester 5)
Module A : Aïkido - Developing corporeal and mental equilibriumUE 37 - Expanding disciplinary horizons (semestre 6)
Module B : Aïkido - Developing corporeal and mental equilibrium -
Jérôme Descamps
UE 25 - Original Creation projects (semester 5)Module B - Animated film (animation construction)
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Katy Deville
UE 26 - The puppeteer’s Instrumentarium (techniques and performance) (semester 5)
Module A : Object theatre : another presence of the actorUE 28 - Theoretical contributions, history and aesthetics of the arts, analysis of dramatic forms (semester 5)
Module A : History of the arts applied to puppetry -
Julie Doyelle
UE 27 - Specific technical and artistic contributions (semester 5)
Module C : Improvisation, a spontaneous artUE 28 and UE 36 - Theoretical contributions, history and aesthetics of the arts, analysis ofdramatic forms (semesters 5 and 6)
Module A : History of the arts applied to puppetry -
Giovanna Duruisseau
UE 31 and UE 39 - Modern Languages (semesters 5 and 6)Module C - French (as a foreign language)
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Gilbert Epron
UE 26 - The puppeteer’s Instrumentarium (techniques and performance) (semester 5)Module C - Manipulation, bringing things alive
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Emilie Flacher
UE 33 - Original creations (semester 6)
Module A : End of studies performancesUE 35 - Specific technical and/or artistic contributions (semester 6)
Module C : From reading to staging -
Raphaèle Fleury
UE 28 and UE 36 - Theoretical contributions, history and aesthetics of the arts, analysis of dramatic forms (semesters 5 and 6)
Module A : History of the arts applied to puppetry -
Agathe Giraud
UE 28 - Theoretical contributions, history and aesthetics of the arts, analysis of dramatic forms (semester 5)Module A : History of the arts applied to puppetry
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Claire Heggen
UE 26 - The puppeteer’s Instrumentarium (techniques and performance) (semester 5)
Module B : Resuming corporeal workUE 35 - Specific technical and/or artistic contributions (semester 6)
Module B : Species spaces/species of space -
Einat Landais
UE 25 - Original Creation projects (semester 5)Module A : Solos (construction)
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Alain Lecucq
UE 28 and UE 36 - Theoretical contributions, history and aesthetics of the arts, analysis of dramatic forms (semesters 5 and 6)
Module A : History of the arts applied to puppetry -
Christophe Loiseau
UE 32 - Building one’s professional career (semester 5)Module C - Photography, Liquid Moments
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Agnès Lorrain
UE 31 and UE 39 - Modern Languages (semesters 5 and 6)Module B - Spanish
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Narguess Majd
UE 28 and UE 36 - Theoretical Contributions, History and aesthetics of the arts, performance art forms analysis (semesters 5 and 6)
Module A : History of the arts applied to puppetry -
Eric Monchaud
UE 25 - Original Creation projects (semester 5)Module B - Animated film (animation construction)
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Fabrizio Montecchi
UE 33 - Original creations (semester 6)
Module B : In the folds of a shadow (part 2)UE 34 - The puppeteer’s Instrumentarium (techniques and performance) (semester 6)
Module C - In the folds of a shadow (part 1) -
Nicole Mossoux
UE 25 - Original Creation projects (semester 5)Module A : Solos (interpretation, staging coach)
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Moun Pinz
UE 27 - Specific technical and artistic contributions (semester 5)
Module B : Vocal work, choral singingUE 35 - Specific technical and/or artistic contributions (semester 6)
Module A : Vocal work, choral singing -
Ludovic Prével
UE 29 - Expanding disciplinary horizons (semester 5)Module C - Corporeal percussion
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Clément Scotto di Clemente
UE 28 - Theoretical contributions, history and aesthetics of the arts, analysis of dramatic forms (semester 5)Module A : History of the arts applied to puppetry
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Jo Smith
UE 27 - Specific technical and artistic contributions (semester 5)Module A - Fundamentals of construction and manipulation
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Pauline Thimonnier
UE 25 - Original Creation projects (semester 5)Module A : Solos (dramaturgy)
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Neville Tranter
UE 34 - The puppeteer’s Instrumentarium (semester 6)Module B : Muppet
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Alexandra Vuillet
UE 25 - Original Creation projects (semester 5)Module A : Solos (manipulation, corporeal work)