Research residencies
Research residencies are open to individuals conducting a research project intended for publication (e.g., articles, theses, dissertations). Particular attention will be paid to applications from doctoral researchers and ESNAM faculty members wishing to undertake research that could enrich their teaching.
Applications will be evaluated based on the research topic’s originality and relevance, the scientific and/or artistic methodology, and the alignment between the project and the Pôle’s Documentation and Collections Centre resources.
The call for applications for the 2026/2027 residencies is closed.
Next in March 2027 for the 2027/2028 residencies.
2019-2021
Renaud Robert (France)
The first steps towards the publication of documents relating to the Temporal family on the PAM and research into the history of this family, a project which has received support from the DGCA’s Research Division.
This artist-in-residence programme is taking place as part of the DGCA’s research programme, for which Renaud Robert was awarded a grant in 2020, with the support of the Institut International de la Marionnette. It will culminate in the production of a virtual version of the exhibition *Haut les bras !* on the Portal of Puppetry Arts (PAM).
The Temporal family were already at the heart of the exhibition *Haut les bras!*, created in 2019 during the Festival Mondial des Théâtres de Marionnettes, after Renaud Robert had seen Marcel Temporal’s puppets in 2016. Marcel Temporal and his son Jean-Loup are therefore central to this exhibition, but they are also very important to the Institute, as the Documentation Centre was established thanks to a donation of documents by Jean-Loup Temporal.
2019-2021
Eleanor Margolies (England)
Research to support the translation of Christian Carrignon’s book “Le théâtre d’objet” into English.
2019-2021
Bettina Girotti (Argentina)
Research as part of a PhD thesis on the history of Argentine puppetry between the 1940s and 1960s and its cross-disciplinary aspects (particularly its links with cinema).
2019-2021
Moti Brecher (Israel)
Research into the history of Israeli puppet theatre, in a country where there is no established tradition, unlike in Europe.
2019-2021
Fleur Lermercier (France)
Applied research residency with part of his team as part of his ‘Dark Matter’ research project, supported by the ICiMa Chair as part of the ‘Materials Life Cycle’ programme.
2019-2021
Jean-Marc Matos (France)
Research into robots, automated machines, animated sculptures and the relationship between humans and machines, for the creation of his show “MAGH*”, which combines dance and robotics.
2019-2021
Arnaud Louski-Pane (France)
Development of a protocol for creating puppet-making tutorials, production of a number of examples, and publication on the PAM as part of the ICiMa Chair’s ‘Materials Life Cycle’ project, in collaboration with Noémie Géron and Fleur Lemercier.
2019-2021
Juliette Masson (France)
As part of her Master’s degree, she is conducting research into the relationship between puppets and puppeteers, and into the illusion of life in the puppet.
2019-2021
Claire Heggen (France)
The first steps in work on his illustrated alphabet book, with a view to publication on the PAM, supported by the ICiMa Chair as part of the ‘Multilingual Terminology’ project.